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Brian Babylon performing on the North-side |
Since I'm originally from California even the bitter winters and local corruption seem kind of quaint, sure it's an annoyance but they also have a certain endearing provincial charm. However, that said... There is one consistent, nagging aspect to Chicago which I don't love. Chicago is one segregated fucking city.
I grew up in a working/middle class neighborhood in Berkeley California. There were White, Black, Asian, Latino and Jewish families all living on the same block in relative harmony. The city of Oakland (where I lived for ten years before moving to Chicago) is going through what could be called a diversity renaissance right now. All the hipster bars, restaurants and clubs have a large and ethnically mixed clientele. It's not uncommon to attend a packed night club with equal numbers of Asian, Black, Latino, and White patrons getting their groove on, in fact that's pretty much the norm. So it was a little difficult to grasp the enormity of segregation in here.
Unfortunately this segregation's finds it's way into the comedy scene with most White comics working rooms on the north-side and most Black and Latino comics working rooms on the south and west-side. Sure there are exceptions to this, but you can count them on one hand. I've been to every major showcase on the north-side at least half a dozen times and the number of comics of color that get stage time can be described as measly at best. But that's starting to change.
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Meechie Hall |
Suffice to say this post stirred up a lot of discussions (which is a good thing) on the forum, garnering over 200 comments from local comedians. Here is a small sample of some of the better posts.
Marcos Lupara: "How can you say the north side has ignored the south? Have you not seen all of the south side comics mentioned in that list of everyone's favorite comics? Meechie, if you ever want to do Rockford, I can't offer you much pay, but you are more than welcome to do any spot you want."
Bryan Christopher: "Almost every career path is dependent on networking. And networking should never be limited to one area. If you have that narrow of a scope in this scene, You could be the next Richard Pryor, CK, or Chappelle and never end up performing outside of the open mic/free showcase circuit."
Mat Elfring: "Fuck this divide shit. I'll book anyone, as long as you're not an asshole. It would also help if you were funny too. But I hear from a few comedians here and there that many Chicago comedians consider people in the suburbs "hacks" and "unfunny." I guess I was only funny when I lived in Chicago then? (I'm pretty sure I sucked a lot more when I lived there) I want to perform well and run a good room. I don't give a shit where you're from. I'll book you.... again, unless you're an asshole. I don't like dealing with assholes or pompous twits who think comedy is a competition."
Demarco L Monroe: "I perform all over the city whenever I want. Haven't had a problem with any spot welcoming me and enjoying my comedy. I know there are certain styles of comedy. But I swear I try not to see color, urban, mainstream, etc. I just try to make people laugh. I can only be myself and deliver that to an audience. I really don't think sides of a city or comedian demographic has anything to with it. I just feel like if you're funny...YOU'RE FUNNY. Color, class, gender, geographic setting, or whatever won't matter. And if one group doesn't like your style or jokes...move on. This is a challenge for us all. But I remain ME. I couldn't care less about some presumed DIVIDING LINE. I'm a student of comedy. I go anywhere and I'll watch anyone. Peace."

The bottom line is if your a comic on the north OR south side and you want to expand your bookings you have to NETWORK. I guarantee you there are showcases out there that you don't know about. Talk to comics from all sides and find out what's going on (check out our showcase listings). Most producers are also comedians so start trading bookings. If your a producer go to other producers showcases and scout some talent out. MIX it up people.
James Allen Kamp
Editor